Bach Bibliography
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Year : 2006
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TypeListTitle [further info]SeriesVolNoYearPagesStatus
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1. Passie in de polder: het begin van de Nederlandse Bach-traditie in de negentiende eeuw. diss. 2006 103p
2. A Conductor’s Guide to Sofia Gubaidulina’s St. John Passion. diss. 2006 113p
3. A performer's study of selected sacred solo cantatas by Johann Sebastian Bach, Alessandro Scarlatti, and Georg Philipp Telemann. diss. 2006 158p
4. Kaanonien kaatama? Johann Gottfried Waltherin elämä. diss. 2006 161p
5. Principy hudožestvennogo pretvoreniâ horala v duhovnyh kantatah I. S. Baha. diss. 2006 174p
6. Bach among the conservatives: the quest for theological truth. diss. 2006 199p
7. Afektová teorie a hudebně rétorické figury. diss. 2006 208p
8. The Bach choir, 1876-1928. diss. 2006 281p
9. Symmetrie und Variation als kompositorische Prinzipien: Interdisziplinäre Aspekte. diss. 2006 417p
10. The long chorale preludes of J. S. Bach (1685-1750): Study of accompaniments together with three recitals of selected works by Dietrich Buxtehude (1637-1707), J. S. Bach, Louis Vierne (1870-1937), and others. diss. 2006 42p
11. The early music movement in the Netherlands: History, pedagogy and ethnography. diss. 2006 443p
12. Wrestling with the German Devil: Five Case Studies in Fugue After J. S. Bach. diss. 2006 461p
13. Works in progress: J. S. Bach's Suites for Solo Cello as artifacts of improvisatory practices. diss. 2006 598p
14. Raný vývoj klavíru a klavírní pedagogiky a komparace interpretačních přístupů ve vybraných skladbách J. S. Bacha a F. Chopina. diss. 2006 63p
15. A Scholar and a Gentleman. Identifying and Assessing Walter Emery's Key Contributions to Twentieth-Century Bach Scholarship. diss. 2006 67p
16. From Bach to Busoni: Transcription as visionary process in Ferruccio Busoni's Fantasia Contrappuntistica. diss. 2006 75p
17. Genesi dei Quattordici Canoni BWV 1087 di Johann Sebastian Bach. diss. 2006 94p
18. Old wine in new bottles. Felix Mendelssohn-Bartholdy's chorale cantatas: J. S. Bach's models become 'Romanticized'. diss. 2006 97p
19. Bach to basics: A performance study of the suites for solo cello by Johann Sebastian Bach, BWV 1007-1012. diss. 2006 ii, 4p
20. Formal coherence in J. S. Bach's Three Sonatas for Solo Violin, BWV 1001, 1003, and 1005. diss. 2006 iv, 78p
21. Opposition as a guiding principle for performance in J.S. Bach's Die Kunst der Fuge. diss. 2006 ix, 55p
22. The Choral Fugue: A Comparative Study of Style and Procedure in Works by J.S. Bach and W.A. Mozart. diss. 2006 vi, 114p
23. Bach-Busoni Chaconne. A piano transcription analysis. diss. 2006 vi, 152p
24. Bach Cello Suites with Piano Accompaniment and Nineteenth-Century Bach Discovery: A Stemmatic Study of Sources. diss. 2006 vii, 361p
25. Accident or Design? New Theories on the Unfinished Contrapunctus 14 in J. S. Bach's The Art of Fugue BWV 1080. diss. 2006 viii, 188p
26. Theodore Thomas's 1902 Performance of Bach's B-minor Mass: Working within the Grand American Festival. diss. 2006 x, 96p
27. Foundations of early music in Melbourne: Leonard Fullard and other pioneers. diss. 2006 xii, 454p
28. Improvisation of keyboard preludes in the style of J. S. Bach: A practical method comprising techniques derived from selected keyboard works. diss. 2006 xiii, 81p
29. Robert Shaw's Approach to Rhythm and Phrasing as Evidenced in His Preparation of Bach's B minor Mass. diss. 2006 xv, 190p

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